The Transformation of Language to Rhythm: The Hosay Drums of Trinidad

نویسنده:
Korom, Frank J.

سال نشر: 1/1/1994
چکیده: This paper begins with the notion of speech surrogates in the study of music by suggesting the alternate "song surrogate" for forms of non-verbal music that have replaced spoken, chanted or sung communication. The specific example used is the Hosay drums
The Transformation of Language to Rhythm: The Hosay Drums of Trinidad
موضوع: Mourning
زیرمجموعه :
The World of Music, Vol. 36, No. 3, pp. 68-85
contributor authorKorom, Frank J.
date accessioned2020-08-23T08:04:43Z
date available2020-08-23T08:04:43Z
date issued1/1/1994
identifier otherThe Transformation of Language to Rhythm The Hosay Drums of Trinidad.pdf
identifier urihttp://digital.imamhussain-lib.com/ihdl/handle/110/2527
descriptionThe World of Music, Vol. 36, No. 3, pp. 68-85en_US
description abstractThis paper begins with the notion of speech surrogates in the study of music by suggesting the alternate "song surrogate" for forms of non-verbal music that have replaced spoken, chanted or sung communication. The specific example used is the Hosay drumsen
languageالإنجليزيةar
language isoEnglishen_US
language isoانگلیسیfa
titleThe Transformation of Language to Rhythm: The Hosay Drums of Trinidaden
typeبحوث و مقالاتar
typeArticleen_US
typeمقالهfa
source DatabaseEbscohost
contenttypeنص كاملar
contenttypeFulltexten_US
contenttypeتمام متنfa
subject keywordsMourning
subject keywordsImam Hussein
subject keywordsTrinidad
subject keywordsSong
identifier offlineidشماره کد دی اسپیس کتابخانه کربلا-1705
issued11994