Abject to object: Colonialism preserved through the imagery of Muharram.

نویسنده:
Brown, Rebecca M

سال نشر: 1/1/2003
چکیده: Part of a special issue on Islamic art. An anonymous British colonial image of a procession (or julus) that forms part of the northern Indian Muharram observances represents a vital part of a larger part of Muharram representations by and for the British
Abject to object: Colonialism preserved through the imagery of Muharram.
موضوع: Religious processions
زیرمجموعه :
Anthropology and Aesthetics 2003 No.43, Islamic Arts, pp. 203-217
contributor authorBrown, Rebecca M
date accessioned2020-08-23T08:04:47Z
date available2020-08-23T08:04:47Z
date issued1/1/2003
identifier otherAbject to Object Colonialism Preserved through the Imagery of Muharram.pdf
identifier urihttp://digital.imamhussain-lib.com/ihdl/handle/110/2564
descriptionAnthropology and Aesthetics 2003 No.43, Islamic Arts, pp. 203-217en_US
description abstractPart of a special issue on Islamic art. An anonymous British colonial image of a procession (or julus) that forms part of the northern Indian Muharram observances represents a vital part of a larger part of Muharram representations by and for the Britishen
languageالإنجليزيةar
language isoEnglishen_US
language isoانگلیسیfa
titleAbject to object: Colonialism preserved through the imagery of Muharram.en
typeبحوث و مقالاتar
typeArticleen_US
typeمقالهfa
source DatabaseEbscohost
contenttypeنص كاملar
contenttypeFulltexten_US
contenttypeتمام متنfa
subject keywordsReligious processions
subject keywordsIslam -- Rituals
subject keywordsRites & ceremonies -- India
subject keywordsShiites -- India
subject keywordsEssays
subject keywordsAshura
subject keywordsRites & ceremonies
subject keywordsProcessions
subject keywordsIslamic art & symbolism
subject keywordsPainting
identifier offlineidشماره کد دی اسپیس کتابخانه کربلا-1739
issued12003