Al-Sharīf al-Raḍī and the Poetics of 'Alid Legitimacy Elegy for al-Ḥusayn ibn 'Alī on 'Āshūrā', 391 A.H.
نویسنده:
Stetkevych, Suzanne Pinckney
سال نشر: 1/1/2007
چکیده: Al-Sharif al-Radi's qasidah rhymed in ddl that opens: "These are the abodes at al-Ghamim, so call to them," (hddhi al-mandzilu bi-al-Ghamimi fa-nddiha) is generally described as an elegy to al-Husayn ibn 'All and dated quite precisely to the Day of'Ashura 391 (10 Muharram) A.H. (10 Dec, 1000 CE.) The fifty-eight line polythematic poem goes beyond the normal strictures of ritha to exhibit a complex generic hybridity. It is my contention that the poem's composition is not haphazard or arbitrary, but rather the poet has masterfully manipulated classical Arabic qasidah conventions, including form, genre, imagery and diction, to promote a politico-religious claim for 'Alid legitimacy?his own imminent Imamate?and to create, at the same time, a meticulously crafted and perduring work of the poetic art.
مشخصه ی(URI): http://localhost/ihdl/handle/110/459
زیرمجموعه
:
Journal of Arabic Literature 2007, Vol.38, No.3, In Honor of Jaroslav Stetkevych,Who First Made "The Mute Immortals Speak." Part I., pp. 293-323
contributor author | Stetkevych, Suzanne Pinckney | |
date accessioned | 2016-09-15T14:52:55Z | |
date available | 2016-09-15T14:52:55Z | |
date issued | 1/1/2007 | |
identifier uri | http://digital.imamhussain-lib.com/ihdl/handle/110/459 | |
description | Journal of Arabic Literature 2007, Vol.38, No.3, In Honor of Jaroslav Stetkevych,Who First Made "The Mute Immortals Speak." Part I., pp. 293-323 | en_US |
description abstract | Al-Sharif al-Radi's qasidah rhymed in ddl that opens: "These are the abodes at al-Ghamim, so call to them," (hddhi al-mandzilu bi-al-Ghamimi fa-nddiha) is generally described as an elegy to al-Husayn ibn 'All and dated quite precisely to the Day of'Ashura 391 (10 Muharram) A.H. (10 Dec, 1000 CE.) The fifty-eight line polythematic poem goes beyond the normal strictures of ritha to exhibit a complex generic hybridity. It is my contention that the poem's composition is not haphazard or arbitrary, but rather the poet has masterfully manipulated classical Arabic qasidah conventions, including form, genre, imagery and diction, to promote a politico-religious claim for 'Alid legitimacy?his own imminent Imamate?and to create, at the same time, a meticulously crafted and perduring work of the poetic art. | en |
language | الإنجليزية | ar |
language iso | English | en_US |
language iso | انگلیسی | fa |
subject | al-Sharlf al-Radi | en_US |
subject | 'Ali Ibn Abi Talib | en_US |
subject | Qasidah | en_US |
subject | Elegy | en_US |
subject | Ashura | en_US |
subject | Hybridity | en_US |
subject | Legitimacy | en_US |
subject | Caliphate | en_US |
subject | Shi'ism | en_US |
title | Al-Sharīf al-Raḍī and the Poetics of 'Alid Legitimacy Elegy for al-Ḥusayn ibn 'Alī on 'Āshūrā', 391 A.H. | en_US |
type | بحوث و مقالات | ar |
type | Article | en_US |
type | مقاله | fa |