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Al-Sharīf al-Raḍī and the Poetics of 'Alid Legitimacy Elegy for al-Ḥusayn ibn 'Alī on 'Āshūrā', 391 A.H.

نویسنده:
Stetkevych, Suzanne Pinckney

سال نشر: 1/1/2007
چکیده: Al-Sharif al-Radi's qasidah rhymed in ddl that opens: "These are the abodes at al-Ghamim, so call to them," (hddhi al-mandzilu bi-al-Ghamimi fa-nddiha) is generally described as an elegy to al-Husayn ibn 'All and dated quite precisely to the Day of'Ashura 391 (10 Muharram) A.H. (10 Dec, 1000 CE.) The fifty-eight line polythematic poem goes beyond the normal strictures of ritha to exhibit a complex generic hybridity. It is my contention that the poem's composition is not haphazard or arbitrary, but rather the poet has masterfully manipulated classical Arabic qasidah conventions, including form, genre, imagery and diction, to promote a politico-religious claim for 'Alid legitimacy?his own imminent Imamate?and to create, at the same time, a meticulously crafted and perduring work of the poetic art.
Al-Sharīf al-Raḍī and the Poetics of 'Alid Legitimacy Elegy for al-Ḥusayn ibn 'Alī on 'Āshūrā', 391 A.H.
بارگیری : (2.139Mb)
مشخصه ی(URI): http://shialibrary.net/ihdl/handle/110/459
زیرمجموعه :
  • مقالات علمی - پژوهشی
  • نمایش پیوست
  • توضیحات
  • نمایش کامل متادیتا
  • آمار بازدید
Journal of Arabic Literature 2007, Vol.38, No.3, In Honor of Jaroslav Stetkevych,Who First Made "The Mute Immortals Speak." Part I., pp. 293-323
contributor authorStetkevych, Suzanne Pinckney
date accessioned2016-09-15T14:52:55Z
date available2016-09-15T14:52:55Z
date issued1/1/2007
identifier urihttp://digital.imamhussain-lib.com/ihdl/handle/110/459
descriptionJournal of Arabic Literature 2007, Vol.38, No.3, In Honor of Jaroslav Stetkevych,Who First Made "The Mute Immortals Speak." Part I., pp. 293-323en_US
description abstractAl-Sharif al-Radi's qasidah rhymed in ddl that opens: "These are the abodes at al-Ghamim, so call to them," (hddhi al-mandzilu bi-al-Ghamimi fa-nddiha) is generally described as an elegy to al-Husayn ibn 'All and dated quite precisely to the Day of'Ashura 391 (10 Muharram) A.H. (10 Dec, 1000 CE.) The fifty-eight line polythematic poem goes beyond the normal strictures of ritha to exhibit a complex generic hybridity. It is my contention that the poem's composition is not haphazard or arbitrary, but rather the poet has masterfully manipulated classical Arabic qasidah conventions, including form, genre, imagery and diction, to promote a politico-religious claim for 'Alid legitimacy?his own imminent Imamate?and to create, at the same time, a meticulously crafted and perduring work of the poetic art.en
languageالإنجليزيةar
language isoEnglishen_US
language isoانگلیسیfa
subjectal-Sharlf al-Radien_US
subject'Ali Ibn Abi Taliben_US
subjectQasidahen_US
subjectElegyen_US
subjectAshuraen_US
subjectHybridityen_US
subjectLegitimacyen_US
subjectCaliphateen_US
subjectShi'ismen_US
titleAl-Sharīf al-Raḍī and the Poetics of 'Alid Legitimacy Elegy for al-Ḥusayn ibn 'Alī on 'Āshūrā', 391 A.H.en_US
typeبحوث و مقالاتar
typeArticleen_US
typeمقالهfa
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