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Abject to object: Colonialism preserved through the imagery of Muharram.

نویسنده:
Brown, Rebecca M

سال نشر: 1/1/2003
چکیده: Part of a special issue on Islamic art. An anonymous British colonial image of a procession (or julus) that forms part of the northern Indian Muharram observances represents a vital part of a larger part of Muharram representations by and for the British in both text and image. Images of Muharram demonstrate the repulsion and attraction that the British wrestled with in a struggle to depict and know Muharram, so they also direct attention to the threat felt by the colonizer from this religious community observance, which represented a major challenge to the very stability of colonialism. In the image of the julus, the threat is defused, with vital parts of the textual descriptions of Muharram removed in favor of controlled, decorous movement through an undefined space. In spite of differences between the textual and visual accounts of the Muharram procession, these two coexistent depictions together form colonial discourse and represent a negotiation of the threat of the procession for the British position in early-19th-century India.
Abject to object: Colonialism preserved through the imagery of Muharram.
بارگیری : (3.837Mb)
مشخصه ی(URI): http://shialibrary.net/ihdl/handle/110/491
زیرمجموعه :
  • مقالات علمی - پژوهشی
  • نمایش پیوست
  • توضیحات
  • نمایش کامل متادیتا
  • آمار بازدید
Anthropology and Aesthetics 2003 No.43, Islamic Arts, pp. 203-217
contributor authorBrown, Rebecca M
date accessioned2016-09-26T10:17:15Z
date available2016-09-26T10:17:15Z
date issued1/1/2003
identifier urihttp://digital.imamhussain-lib.com/ihdl/handle/110/491
descriptionAnthropology and Aesthetics 2003 No.43, Islamic Arts, pp. 203-217en_US
description abstractPart of a special issue on Islamic art. An anonymous British colonial image of a procession (or julus) that forms part of the northern Indian Muharram observances represents a vital part of a larger part of Muharram representations by and for the British in both text and image. Images of Muharram demonstrate the repulsion and attraction that the British wrestled with in a struggle to depict and know Muharram, so they also direct attention to the threat felt by the colonizer from this religious community observance, which represented a major challenge to the very stability of colonialism. In the image of the julus, the threat is defused, with vital parts of the textual descriptions of Muharram removed in favor of controlled, decorous movement through an undefined space. In spite of differences between the textual and visual accounts of the Muharram procession, these two coexistent depictions together form colonial discourse and represent a negotiation of the threat of the procession for the British position in early-19th-century India.en
languageالإنجليزيةar
language isoEnglishen_US
language isoانگلیسیfa
subjectReligious processionsen_US
subjectIslam -- Ritualsen_US
subjectRites & ceremonies -- Indiaen_US
subjectShiites -- Indiaen_US
subjectEssaysen_US
subjectAshuraen_US
subjectRites & ceremoniesen_US
subjectProcessionsen_US
subjectIslamic art & symbolismen_US
subjectPaintingen_US
titleAbject to object: Colonialism preserved through the imagery of Muharram.en_US
typeبحوث و مقالاتar
typeArticleen_US
typeمقالهfa
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